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Marfa ✨ magic is undeniable.
Took this shot in the pitch black desert between @artblocks_io events.
This annual event is one of the best expressions of humanity and art.
The intersection of code and constraints led this community.
Thank you @glitchmarfa @sbmckeon @derekedws @zackrosenblatt_ and team who make this event a choose your own adventure instead of a single track. 🙏🏼 thank you for your generosity and conviction.
@tributelabsxyz @Fountainxyz network is vast. Visitors from Tokyo, Switzerland and dozens of other cities.
My brother in DAOs @ChrisF_0x launched his book Hyperreal Hospitality, a world building application called Star Holder and an album (need the SoundCloud)
LIFT by @ArtOnBlockchain after this residency at @glitchmarfa was such a personal look into a life lifted up who then in turn lifted up so many artists.👨🎨
@MeebitsNFTs community is damn lucky to have King of Meebs @sergitosergito as their steward. First in, last out.
@lostpixels / James Merrill’s Busy algo on an ornament he made using @bantamtools was a beauty to behold.
@generativegoods came with incredible craftsmanship!
@squiggleDAO candle 🕯️
Legendary food by Bordo with a side of cigars from @dave_krugman @Rhynotic. 🙏🏼 @token_works @ALLSHIPS
How We Build film by @dave_krugman @redbeardnft was standing room only.
Thank you @philip_yoong for gifting me one of your LIFT Pixelmans after I missed the registration window!!
The @glitchmarfa E30D full set holder community is filled with kindness like his. 🙏🏼🙏🏼
Would recommend any collector join.
@steviepxyz continued exploration of fiat debasement reminded me of the joy of Instructions For Defacement plotting experience years ago.
Quine by @matthall2000 @pents90 featured at the man AB house. Code that can reproduce code as art comes at the perfect time when AI tools like Cursor and Claude are front and center.
@beeple working live. Man rides the zeitgeist like lightning.
@artblocks_io poetically announced the day one artists (Erick, DCA, Jeff) will be the last three artists to launch in the #AB500. The first shall be last and last shall be first.
With that they’ll put a capstone on these first 5 years of generative art and look to evolve towards a world of digital art possibilities. Code and constraints can lead to beautiful things.
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